
Befitting a Benedictine costume, the scrip needed to be made of plain, undyed leather - what I had was some sheepskin that had gone through the chamois-ing process (fairly unsuccessfully, judging by its lack of absorbent qualities) but had kept the tell-tale yellowish colour and distinctive smell of leather tanned in fish oil...

It's stitched with linen thread and has a pocket on the front for the stylus to go into... Now 'Brother George' just has to dig up skills from 60-odd years ago and re-learn how to write on a wax tablet! In a twelfth century font! Then I'll have to create some quill pens and oak-gall ink...
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